UFO and the Grenfell tragedy “Children Creating Community at Carnival”
UFO GRENFELL PROJECT – CREATING ART WITH CHILDREN IN SCHOOLS AFFECTED BY THE TRAGEDY by Fiona
Back in June we were hoping that our Arts Council funding application might be successful, and we were dreaming up potential designs for our truck, hoping to be able to stage the band at 2017 Notting Hill Carnival and The London New Year’s Day Parade.
Then we heard it had been successful – our dreams for our new project would become a reality – we were celebrating and started planning!
But a few days later the Grenfell Tower tragedy happened.
Many of us live in the community and were directly affected.
Everything had changed, and there was now a question over whether or not Notting Hill Carnival should even go ahead – how could we revel in the shadow of the tower?
Amid a terrible time, the Carnival community and local people contemplated, considered, discussed. But Carnival has always brought hope amid adversity; we remembered that Carnival itself originated as a message of joy, community, music and fellowship amid times of difficulty and oppression – Notting Hill Carnival had to go ahead and we had to find a way for UFO’s input to Carnival to have respect and integrity within our tribute to Grenfell.
Grenfell brought an outpouring of community support and voluntary projects. Like many people in our community I helped in a local volunteer centre – during those first few weeks while the community began to come to terms with what had just happened. We tried to work out how to best receive, sort, package, move and share the overwhelming abundance of donations that arrived daily in Notting Hill and North Kensington, from all over UK.
It was a distraught and unforgettable time, and I was thankful to Notting Hill Carnival – many years of running Fox Carnival Community Arts projects in schools had given me valuable teamwork and project management experience. I could call upon these skills to give me focus, and I was quickly able to step up and team lead and , which I hoped in some small way helped.
In my mind all that time was how could we use our experience of leading children’s art projects to help in schools where staff were on the coal face of dealing with children’s trauma. In relation to Carnival and using our arts funding ring-fenced for banner design, I wanted to find a way of creating a project that could give a message of hope, bring some kind of joy at this terrible time.
The answer I felt lay somewhere within a children’s art project that we could bring to the public at Carnival.
Three weeks after Grenfell our project was ready to deliver. Having led many years of arts projects in local schools, the head teachers welcomed us into classes that were traumatised or directly bereaved.
The aim of our design brief was to enrol the children in the idea of making drawings about community, then to bring the drawings – as collaborative murals – to the public.
We talked with the children about what community means, how it will survive, how we can help people smile again. We talked about the colour and joy of Carnival, about what it means in our community. We looked at photos of large trucks – how those huge artics that deliver supplies to Ladbroke Grove’s Sanisbury’s are transformed at Carnival into moving stages holding steel bands. We talked about how these trucks can be decorated and how the UFO truck could look amazing if it was covered with children’s art. We hoped this would give a message of the joy as community as the truck went by.
The children completely understood the concept and created their drawings with exuberance, expression, beauty, kindness and generosity.
This was a quick project – only 45 minutes to one hour in several classes – but it was effective, and a fantastic success, and teachers offered it to more and more classes right up until the last few days of term. We ended up with 400 amazingly beautiful and compelling images of people, activity, buildings, gardens, sunshine – which I collaged digitally in my studio into collective scenes. These were printed on to 12 meter canvas banners designed to completely wrap the 45ft articulated lorry.
The results were stunning.
It was moving at Carnival to see people’s reaction to the artwork. One woman told us with tears in her eyes that she had lost family in the fire: “This is the first thing that has really makes me feel joy since – thank you.” She stayed with the truck for most of the day, dancing to the steel pan music and we journeyed through the carnival route.
Some children in the crowd were ecstatic to recognise their little piece of art within the large designs on the truck – a little character or a scene they had drawn. People just got it – the children’s art said it all.
The project received a lot of press coverate – here is a link to the biggest one – Good Morning Britain (although it was so disappointing that Richard Madely changed the emphasis of the piece, which threw us, but still good that so many people saw the children’s art.) https://www.facebook.com/fiona.hawthorne/posts/1708560692507878
This is an image of the truck going down the ‘quiet zone’ by Grenfell Tower, the steelband playing ‘Bridge over Troubled Water’ https://www.facebook.com/claire.simmons.16/posts/10154574317707315
And this is the artwork…
Thank you children for making the truck something UFO Steelband were proud of. We were proud to display the vibrant, generous expression of children, proud of the joy it brought to audiences, and – most of all – proud of the message collective shared, that we must never forget Grenfell, that we must learn form this terrible tragedy, that it can never happen again.
This is UFO Steelband on the truck adorned with the banners, playing “BussHead”, about to set out for Carnival https://youtu.be/PQNKSwgF7bA
SATURDAY PREP – Seeing The Printed Artwork For The First Time – By Tamala
It was Saturday 26th August, two days before UFO would go on the road at Notting Hill Carnival.
The vast and empty 45ft articulated lorry stood under the trees, conveniently parked on a blocked residential street in Shepherds Bush. From experience, we knew there was a LOT to accomplish in the several hours allotted, even with all hands on deck.
Over the past few years of UFO Steelband at Carnival, a system has developed to achieve Fiona’s vision for ‘truck design’ as efficiently and quickly as possible and always with an eye towards the impact – both visually and musically – of the final product. The lorry’s ‘curtain sides’ had been pulled back and secured, the floor of the trailer was cleared and swept, the pans in their cases were lined up on the pavement, and the stainless steel stands opened and ready for the instruments. The drum kit and large basses were placed on the truck first, then stands arranged on the flatbed, a puzzle woven by Jason to ensure a disribution of instruments that would create a perfectly balanced sound as we travelled the route, despite packing as many instruments and players as possible into the confined space. Steelpans were lifted on and off, as space was tested and adjusted to create an optimum arrangement that would allow players space to play, dance, perform and engage.
While this was happening on the truck, the substantial package containing our new banners was brought out. This year the banners had been carefully designed to be lifted over the roof of the truck like a giant sleeve, but first we needed to spread them out and assess the safest, surest way to achieve this.
So in the midst of a busy, active, exciting and almost chaotic atmosphere, the banners were unfolded and we all felt their impact.
Work slowed as we took in what had been achieved in Fiona’s workshops. The drawings by children local to Grenfell Tower told a powerful story – of the importance of community and friends and music and carnival and creativity – in a way that many adults were struggling to express. Individual drawings voiced smaller stories – hopscotch, skateboards, steel pan, super heroes, an impressive sound stage, and lots and lots of friends holding hands – and collectively they provide a powerful, beautiful testament to the resilience of hope and the importance of a shared community.
We had to shake ourselves back into the task at hand, but as we secured the banners into place, we felt we had achived together the transformation of our huge lorry into something beautiful and compelling that would move gracefully through the streets of Notting Hill. Via the UFO truck were able to collectively reflect back to the community a strong clear message from children – that music, art, dance, friends, and hope can lift us all up, together.
Update – Carnival 2018
UFO MINI FESTIVAL OF COLOUR ON CANVAS!!!
The 2017 banners were beautiful, but we had put them away after Carnival 2017. When it came to planing UFO at Carnival 2018, we wondered if we might bring them out again… could we show the children’s art to the public at Carnival for another year? Could we make the banners even better?
After weeks of considering and planning and raising funds, we found a way forward… to add colour to the banners!
This happened via a new project to run a series of workshops at “The Curve” Grenfell Support Centre, and at Notting Hill/North Kensington’s “Portobello Green”.
In fact it was more than a project – it was a mini festival!
We set up a series of public events combining music and art-making, and invited the public – particularly children – to come listen to UFO play pan music while we led sessions for participants to collectively paint and add colour to last year’s banners… we had 50 square meters of canvas to colour, which required a festival!!!
The festival was a complete success. We spread out the banners on tables, and created a steelpan musical backdrop to enjoy while we worked – that way everyone involved could think of the larger festival we were collectively working towards… Notting Hill Carnival.
While everyone painted, we talked with the participants about impact of colour when seen by the public at Carnival… what effect it would have? Would it lift and make people smile? Should colour be clean or muddy? If clean colour, how do we achieve that? We explored which colours work, and if colours should be heavy or washy, so that line could still be seen?
Children’s input defined the project – the courage of their marks and their honest and straightforward views helped make a good result! Most importantly, everyone got so much from painting together. Children realised that they often have more confidence than adults when it actually comes to putting paint on canvas – so they taught the adults, something they said they likes because it is “something we don’t usually get to do.” This was empowering and confidence building for the children, and it was a chance for adults to really understand that they can learn from the courage of young people!
We could not have imagined how stunning the coloured-in banners would look, how it gave even more new life to the beautiful images the children had created one year ago, just after Grenfell. Some participants commented that it “felt right” to add the colour ‘one year on’, that it “symbolised that our community goes on, and goes from strength to strength.”
“It’s like Grenfell took all the colour away for a while, but it came back stronger.”
We thank Westway and Winsdor and Newton for their support, and we thank all the participants – the children and adults – who worked together to create wonderful, joyous, colourful art.